By David Mamet
Directed by Mark Stringham

Featuring Iza Garza and Blake Hamman

Trevor Gagnon, Production Stage Manager

Tonight’s reading will have one 15 minute intermission

THIS CONTRACT INCLUDES A “Talkback Restriction” Until two (2) hours after the end of each performance of the Property, no presentation, performance or discussion of any type related to the Property, other than the Property as written by Author, shall be conducted or authorized by the Licensee in any venue.

PLEASE VISIT 100A.ORG AND GIVE YOUR FEEDBACK THROUGH OUR AUDIENCE SURVEY.

CONTENT ADVISORY

David Mamet’s Oleanna contains themes and language that some audience members may find challenging. The play explores issues of power, gender, privilege, and sexual misconduct through highly charged dialogue and confrontational situations. Please be advised that the production includes:

  • Strong language
  • Discussions of sexual harassment and assault
  • Intense verbal conflict

This work is intended for mature audiences and may not be suitable for all viewers. We encourage conversation and reflection following the performance.

WHAT ARE INDUSTRY NIGHT READINGS?

Think of Industry Night Readings as theatre stripped down to its boldest essentials; script, actors, and ideas. No sets. No costumes. Just raw storytelling that sparks conversation.

These nights are a gathering place for San Antonio’s artists, audiences, and curious minds to explore daring works, challenge perspectives, and be part of the creative process. Every reading is an invitation to listen, react, and connect. And to leave inspired, provoked, and maybe even a little changed.

Industry Nights aren’t just theatre. They’re a movement. And everyone’s invited.

PRODUCTION HISTORY

David Mamet’s Oleanna premiered in May 1992 at the American Repertory Theatre in Cambridge, Massachusetts, directed by Mamet himself. Later that year, the play opened Off-Broadway at the Orpheum Theatre in New York, starring William H. Macy and Rebecca Pidgeon. Its controversial subject matter and explosive dialogue quickly sparked public debate, making it one of the most discussed plays of the 1990s.

In 1993, Oleanna made its London debut at the Royal Court Theatre, directed by Harold Pinter, with David Suchet and Lia Williams in the leading roles. The play has since been produced widely across the United States and internationally, often generating strong audience reactions and post-show discussions due to its examination of power dynamics, gender politics, and academic authority.

A film adaptation, written and directed by Mamet, was released in 1994 with Macy reprising his stage role alongside Debra Eisenstadt. Revivals have continued into the 21st century, including notable productions in London’s West End (2004, 2010) and New York (2012, 2021), each resonating anew with evolving conversations around gender, power, and consent.

Oleanna is presented by special arrangement with Broadway Licensing, LLC, serving the Dramatists Service collection. (www.dramatists.com)

BE A PART OF THE PROCESS

Communities are reflected in the stories we choose to tell. Once a story is told, it becomes as much a part of the listener as it is of the storyteller. To better understand our audience and enrich your theatrical experience, we invite you to share your views. Tell us about your interests. What do you want to see on stage?

Thank you for choosing to be a part of our storytelling process.

A Letter to Our Audience

Dear Friends,

Welcome to Oleanna and thank you for joining us for this special presentation as part of our Industry Night Staged Readings series. This evening is not only a performance — it is an invitation to engage in the vital conversations that live theatre makes possible.

David Mamet’s Oleanna is unflinching in its examination of power, communication, and the complexities of human relationships. It challenges us — as audience members and as a community — to sit with discomfort, to listen closely, and to wrestle with difficult questions. As part of this staged reading series, we intentionally bring you works that spark dialogue, connect artists and audiences, and explore themes that resonate deeply with our cultural moment.

At 100A Productions, we believe theatre is at its most powerful when it opens empathy and invites active engagement. Oleanna is one of those rare works that demands conversation long after the lights dim. It is not simply a story about two people; it is a mirror held up to our culture, our institutions, and ourselves.

The extraordinary performances you will see tonight come from a cast committed to honoring the truth of Mamet’s words while creating space for you — the audience — to explore your own reactions and interpretations. We hope this presentation inspires thought, invites discussion, and leaves you reflecting in ways that last well beyond the curtain call.

Thank you for being here, for supporting live theatre, and for joining us in building community through story.

With gratitude,
Rick Frederick
Producing Artistic Director
100A Productions

By David Mamet
Directed by Mark Stringham

Trevor Gagnon, Production Stage Manager

 

CAST
Iza Garza as Carol
Blake Hamman as John

 

SETTING
John’s Office

OLEANNA IS READ WITH ONE 15 MINUTE INTERMISSION

 

THE TOBIN TEAM
President & CEO, Michael J. Fresher
Senior VP & CFO, Jeff LaSante
VP of Development, Renee Garvens
Director of Marketing, Lauren Keck
Graphics Manager, Rigo Ortiz
Marketing Manager, Alyssa Hayden
Graphic Design Coordinator, Lucy Coronado
Institutional Marketing Coordinator, Millie Eckel
Senior Manager Front of House, Chance Margotta
Technical Director, Hector Gutierez
Assistant Technical Director, Adam McCoy
Lighting Head, Gabriel Garcia IV
House Head, Johnnie Rodriguez

BIOGRAPHIES
Mark Stringham

Director 

Mark is the current Chair & Producing Director of Theatre Arts at the University of the Incarnate Word. He was last seen on the 100A stage as Matt in Talley’s Folly and has worked extensively with credits in San Antonio and across the country. Regional: A Christmas Carol, Mr. & Mrs., The Tens, Sherlock Holmes: The Final Adventure, My Fair Lady, Pizza Theology (Actors Theatre of Louisville), My Fair Lady (Cleveland Playhouse), Runway 69, Antony and Cleopatra (RSC/New Dramatists, T. Alvin McCraney Dir.), Bellwether (Public Theatre, NYC), The Rose Garden (Atlantic Theatre Company), Illyria the Musical, Macbeth (Virginia Shakes), A Flea in Her Ear, How to Succeed… (Cape Cod Critics Circle Award), The Fantasticks, Taming of the Shrew  (Monomoy Theatre) San Antonio: Altered State Bar, Princess Bribe (Ethics Follies), Our Town, Merchant of Venice, Lion in Winter, Bound by Truth  (Classic Theatre of San Antonio), Footloose (San Pedro Playhouse). Education: MFA-Ohio U. BA-UIW. All my adoration & gratitude to Candice: A too.

Iza Garza

Carol

Iza is an actor from Pharr, Texas who studied theatre at the University of the Incarnate Word and has appeared in multiple main-stage productions there. While at UIW she performed in productions including Little Women (Jo) and Silent Sky (Henrietta Leavitt), and was recognized by the Alamo Theatre Arts Council for her work.

A product of PSJA Southwest Early College High School’s theatre program, Iza graduated with an Associate Degree in Interdisciplinary Studies from South Texas College and earned multiple UIL distinctions — including All-Star Cast and Top Performer honors — before continuing her training at UIW.

Off campus, Iza has performed with local companies and projects in the San Antonio area; recent regional credits include Cecilia in 17 Minutes for Miscast Theatre Company.

Iza is committed to emotionally honest work and ensemble storytelling. Selected credits: Little Women (Jo) — University of the Incarnate Word; Silent Sky (Henrietta Leavitt) — University of the Incarnate Word; 17 Minutes (Cecilia) — Miscast Theatre Company. Education: University of the Incarnate Word (Theatre studies); South Texas College, A.S. Interdisciplinary Studies.

Blake Hamman

John

Blake is thrilled to return to 100A Productions. His debut with 100A was as Doc Porter in Crimes of the Heart in the first season and went on to direct Lifespan of a Fact in the second. He was recently seen as Toby in The Wonder Theater’s production of Sweeney Todd. Other San Antonio credits include: Other credits include: Perkins in The Play That Goes Wrong (Zion Theatre); Young Scrooge/Fred in A Christmas Carol (Public Theatre); Bishop of Basingstoke in Jekyll and Hyde (Harlequin Theater); Smee in Peter and the Starcatcher (ATAC Award Nominee, Classic Theatre); and Lucio in Measure for Measure (Classic

Theatre). Blake is a graduate of Texas State University with a BFA in Acting.

Trevor Gagnon

Production Stage Manager

Trevor began his entertainment career as an acrobat in the Edmonton Opera’s production of The Mikado in 1991.  He parlayed that experience into an acrobatic and performing career that spanned 23 years and six countries with such acclaimed companies as Dragone Entertainment and Cirque du Soleil.  After retiring from performing full-time, Trevor worked as a Show Manager and Artistic Director in San Diego, California. His show, Cirque Electrique went on to win the IAAPA award for Best Show in 2017.  Trevor is proud to have worked at the Tobin Center in a variety of roles since 2021 and is excited and thankful to be a part of 100A Productions. All of us at the Tobin and 100A are grateful for Trevor’s recent return from his adventure as Company Manager of House of Dancing Water in Macao, China.